One year since his passing, though corny as it may sound, he just doesn’t seem to have gone away anywhere, really. Everytime you listen to one his melodies, it just feels as if he is around, at work some where in Chennai or Kerala, hunched over the Harmonium or purposefully coaxing out sonic structures out of his guitar for another memorable production. Was going through the microsite Manorama Online had hosted last year ( and seems to be holding out, thankfully) and saw this list of songs he had listed as his personal favorites out of his compositions from over 300 films.
Continue reading Revisiting Johnson Master’s Personal Favorites from his Compositions
This is a three-part interview of Johnson Master that I found on Youtube. I have no idea when Amrita TV would pull the plugs, but as long as it lasts, it is an enlightening half hour with a Maestro, who lived Music.
Continue reading Johnson Master’s 3-part Interview from Amrita TV
26th March 1953 – 18th August 2011
Another maestro passes on to the Other Side, someone who, paraphrasing Beethoven, “made us realise Music to be a higher revelation than all wisdom and philosphy and the electrical soil in which the spirit lived, thought and invented.” Johnson Master, to me, was the first music director who gave us the joi-de-vivre of Western musical sensibilities in his brilliantly structured sonic sets of melody. I still remember standing rooted on the spot the first time I listened to Rajahamsamey from Bharathan‘s Chamayam, wafting through the speakers of our neighborhood Men’s Salon, and I kept saying “Oh my God!” over and over again.
Continue reading Johnson Master | Malayalam Cinema’s Magic Fingers