The 58th National Film Awards, 2011 have been announced, and despite apprehensions about South Indian Cinema being relegated to the background score, regardless of the fact that there was not even a single Jury member who represented Malayalam Cinema, a bitter-sweet movie swept all of our misgivings away. And Salim Kumar ! Now I really understand why it took me 3 heart-wrenching attempts to completely sit through Lal Jose’s Achanurangaatha Veedu. It is very clear.
1934 – 31 August, 2010
S Pavamani, who passed away on 31 August, 2010 joins the ranks of an illustrious visionary greats from the old school of Malayalam Cinema, who will invariably turn footnotes if they are lucky. He belonged to that rare breed of producers who had an uncanny capability of finding productions or talents that would make them with the right balance of art and money. Though, for most of the times, he was willing to forgo the money part, and went with his convictions.
Else, how we would ever get greats like MT, Sathyan Anthikad and for that matter, our nightingale, KS Chithra become a part of the Malayalam film industry. He started as a distributor in the early 60’s, with getting the Ashok Kumar starrer Jeevan Sathi ( 1957), directed by RS Tara to Kerala, which was the precursor of things to come.I guess Pavamani was the one who made the Malayalis familiar with the then running superhits from up North, even going as far as Calcutta and getting Ray’s films down to Kerala. It is said that he was a great friend of Satayajit Ray, which explains how Debi (1960), Mahanagar(1963) and Charulata (1964) enjoyed their screen time, way down south in Kerala, a place which curiously had absolutely no idea how Bengali sounded like, and I’m sure at great personal risk in the commercial sense !