In the annals of immortalising the Kerala Samurai onscreen, Navodaya Appachen was no less in contributing his vision on kitschy celluloid.
Maliampurackal Chacko Punnoose, known as Navodaya Appachan, I believe, came into the limelight ( literally) starting off from where his illustrious and legendary Kunchako left after Kannappanunni (1977), which was Udaya’s 75th film. Appachen started off with his multi-starrer Thacholi Ambu (1978), bringing MN Nambiar as the arch nemesis in the costume-drama (and what a costume-drama it was, folks! ), followed by Kadathanattu Makkam in the same year!
Continue reading Northern Ballads | Navodaya Appachen, and delivering kitsch with world’s best technology.
Though the Northern Ballads and its variations had been adapted to local folk theater, I think the reigning God of Malayalam film production Sri. Kunchacko who owned the biggest studio of those times, Udaya saw the mother lode of a possibility by translating them on screen. Sri.Kunchacko, I think, was the Yash Chopra of the Malayalam film industry.He started off the filmi ballads with Unniarcha, a B& W production, in 1961.
Sri.Kunchacko added variations, brought in new characters, spun off sub-stories, all of them wrapped up in the same gaudy, kitschy costume trains and ornaments borrowed straight from the local theater. I always thought there was a divine connection between the bright and flaring silk embellishments to its ‘original’ counterparts across the sea, the Samurais of Japan! 🙂
Continue reading The Kerala Samurais in Technicolor
Way back in the mid-60’s, Clint Eastwood and Sergio Leone transformed spaghetti westerns to such a degree that these movies walked right out of Hollywood and caught the fancy of millions of cine-goers all around the world. It still maintains its chunk of admirers in India – the Texan drawl, the ‘fastest draw’ and a fancy for Louis L’Amour – all of them pointers to the fascination for the sheer effect of incredulity and larger-than-life characters who were progeny of a harsh, unforgiving landscape and glorified the underdog’s tilt at social class windmills.
Continue reading The Vadakkan Pattukal Legacy on Celluloid.