Sarvakalashala (1987 ) | In the Mood for Melancholy

[ This is a guest post by Prakash Rajan, from Bangalore India, now residing in New Jersey, USA. Prakash is an inveterate cinephile and an 80's -era Malayalam films junkie."I love Sathyan Anthikad, Satajit Ray and Stanley Kubrick", says Prakash. Touch base with Prakash here.]
Sarvakalashala (1987) -Title Card

‘Sarvakalshala’ is quintessential Venu Nagavalli. Why? This is because, like the man himself, the film is philosophical and brooding. There is a pervading sense of melancholy in the movie, just like our man who is known for his pensive image. However, there is more to Venu Nagavalli than what meets the eye. Continue reading

Thoovalsparsham – 2 could turn out like this

Kingini @ 18

കിങ്ങിണി @ 18 അഥവാ എന്‍റെ മൂന്നു അച്ഛന്‍മാര്‍

[ തൂവല്‍സ്പര്‍ശം | Part 2 ]
Recommended cast : Jayaram, Mukesh, Saikumar, Innocent, Suraj Venjaramoodu & ‘Kingini”
Guest Roles: Suresh Gopi, Urvashi, Sukumari

Synopsis of the Script

The movie starts with the credits being shown in the background of the scenes from the first part. The background music is “ചാഞ്ചക്കം ചാഞ്ചക്കം” from the first part. The credits end with outer view of the old flat in which the trio used to stay. This flat has now been purchased by Unnikrishnan (Jayaram). Continue reading

What if Thoovalsparsham (1992) had a sequel

Kingini in Thoovalsparsham

[ This is a Guest Post by Adv Narayan Radhakrishnan, who also follows the trials and tribulations of characters in reel life with the same passion that he pursues the ones in his professional domain. He has sent across his version  of a possible sequel to Kamal's 1992 runaway hit, Thoovalsparsham as a screen narrative,and this leading article that so rightly explains the 'background' of creating his version screenplay. The Sequel Narrative will follow soon. Adv Narayan is right now at work on his new book, based on the depiction of Lawyers in Indian Cinema. You could mail him at advnarayan@gmail.com ]

Thoovalsparasham was a hit movie of 1992. Jayaram (Unnikrishnan), Mukesh (Bonny) and Saikumar (Vinod) were the young stars of the day. The movie was based on a Hollywood movie Three Men and a Baby starring Tom Selleck, Ted Danson and Steve Guttenberg. This movie itself was based on a French movie Three Men and a Cradle. Kaloor Dennis adapted Thoovalsparasham from this hit movie, with Kamal donning the director’s robes. Continue reading

Guest Post | Is The Guild System Returning Through Malayalam Cinema?

Shankaradi in Mrugaya(1989)

Cinematters’ note: This Guest post is by  P.S.Remesh Chandran, Editor, Sahyadri Books & Bloom Books, Trivandrum. Remesh Chandran blogs at  SAHYADRI BOOKS  and you can mail him at sahyadribooksremesh@gmail.com.

In the middle ages, an experienced and specialized worker could work and make his living only if he joined the respective Guild. Painting, drawing, sculpting, moulding, gold-working, all were controlled by the respective guilds. The guild master or the foreman of that particular guild would be the omnipotent in that particular field of human activity. Plumbers, painters, artists, brick-builders, kiln-workers, goat-herders all had their own guilds. The powers of these guilds were such that they controlled the respective industry, enterprise or establishment as the case may be. The guild master and foreman could do with or do without any worker. People and their families lost their lives or living, according to the whims and fancies of these guild masters. Continue reading