Susie’s Fab Five | Stories as Songs for Children

Sarada and Baby Sumathi in Nadhi (1969)

Sarada and Baby Sumathi in Nadhi (1969)

Children love stories. It is a great way to calm them down after a hectic day, and to get them to eat, or to get them to sleep. As a child, my Mum and my older sister told me stories, be it from the Bible (Mum), or from literary classics like Jane Eyre or the Count of Monte Christo (adapted deftly to a five-year-old’s level of understanding by my sister). It would be told in instalments every night, and much like a reality TV show of today, would finish for the day frustratingly at the most interesting and suspenseful moment – “The rest tomorrow” (ബാക്കി ഇനി നാളെ). Continue reading

Susie’s Fab Five | Odes to our Universe and its mystic beauty.

Alone in the Universe From time immemorial the Universe has always fascinated man.  He wrote, sang and wove dreams about it. He strove to conquer it. { Quoting Captain Kirk from Star Trek “Space: The final frontier…..to boldly go where no man has gone before!“  :D   In Malayalam movies, Vayalar reigns supreme among lyricists who expressed this fascination with poetic brilliance; the others are there, too, but some way behind. Here are some of my favourites. Continue reading

Susie’s Fab Five | Songs that make you Smile

Adoor Bhasi in Lottery Ticket Comedy interludes have been a staple of commercial Malayalam cinema from the beginning. Many of these scenes were picturised as songs. I have not seen many of these songs, because in those days, radio was the only way for me to listen to songs. Many of these still bring a smile to my face even today. It is only recently that I have seen, through Youtube clips, the actual scenes which belonged to those classic songs. Continue reading

Susie’s Favorites | Songs of Separation from Malayalam Films

KR Vijaya and Thikkurissy Sukumaran Nair in Shakunthala (1965) The pain of separated lovers, and their desperate longing for each other have been the subject of poets and lyricists for centuries. Visual media like cinema brought popularity to these, and people empathised with the emotions. Cinema is almost always a reflection of real life. While passing through the mind of the poet, the lyricist, the musician, the singers, the actors, and the cinematographer, this  intense feeling of the pain of separation gets stamped with their individual interpretation. Continue reading

The Sathyan Tribute | Ravi from Mooladhanam (1969)

Sathyan and Sarada in Mooladhanam  (1969)

All the characters Sathyan played on screen were of strong men, all imbued with the special “Sathyan” touch which made them unforgettable. Most roles were, in my memory, tragic. However, one memorable character that he played, with the story ending on a positive note, was in Thoppil Bhasi‘s Mooladhanam (meaning Capital, as in Wealth). The story is based on Thoppil Bhasi’s own life experiences as a Communist Party worker during 1944-1946, of the sacrifices he had to make, in order for the mass struggle against the unjust rule of the Diwan be a success. Continue reading